God & Nature Magazine
  • 2025-#1 Issue
    • Letter from Editors 2025-1
    • Schrotenboer, Lying Dormant
    • Strauss, God Laughs & Smiles
    • Carr, Creation Stories
    • King, Falleness Physical World
    • Colon, A Hike
    • Thuraisingham, Identity
    • Bostrom 251 Every 6 Steps
    • Clifford 251, Just Starting Out
    • Johnson 251
    • Eyte, Touch
    • Budek-Schmeisser, Quitting
  • 2024-#4 (Fall) Issue
    • Letter from the Editors F24
    • Madison, 5 Smooth Stones
    • Dickenson, Genesis & Evolution
    • Berg, Is Genesis History?
    • Pinkham, Cells and Organs
    • Mitchell, Questions for AI
    • Taskinen, Alexander Grothendieck
    • Bostrom, On Camera F24
    • Clifford, Across the Pond F24
    • Johnson, Food for the Soul F24
    • Strand, Morning Prayer
    • Budek-Schmeisser, Sonrise
  • 2024-#3 (Summer) Issue
    • Letter from Editors Summer 24
    • Horst, Death through Adam
    • Bradley, Game Theory & Theology
    • Defoe, Science and Faith
    • Pickett, Wonder & Miracle
    • Touryan Wonder of Math
    • Wright, In The Beginning, God
    • Clifford Sum24
    • Johnson,, Summer 24
    • Eyte, Kaleidoscope
    • Budek-Schmeisser Bohemian Gravity
  • Past Issues
    • Spring 2024 Issue >
      • Editor's Letter Spring 2024
      • Miller, Sense of Place
      • Quick, Georg Cantor
      • Niemeyer, Research to Thriller
      • Carpenter, Creationism Inter-Textual
      • Defoe, Wittenberg Circle
      • Madison, Buttercups
      • Bostrom, Birds' Eye View
      • Clifford, What's the Use
      • Budek-Schmeisser, The Choice
      • Anderson, Van Gogh's Sunflowers
      • Lange, Summer Meadow
    • Winter 2024 Issue >
      • Garte and Albert W24
      • Fagunwa, Origen: Black Scientist
      • Gonzalez, Being Human
      • Defoe, A Pastor/s Journey
      • Curry, Birds of New Zealand
      • Lin, Environmental Problems
      • Garte, Genetics of Race
      • Pohl, Third Culture in Church
      • Bostrom, Mentors
      • Clifford, Hidden Figures
      • Albert; Poem. A Goldfish Sings a Tentative Psalm
      • Ardern Contact Points
    • Fall 2023 Issue >
      • Letter from Editors Fall 23
      • Owen, Mystery of the Trinity
      • Albert, Denialsim: A Case Study
      • King, Elements in the Bible
      • Carpenter, When was Day One?
      • Spaulding, Guided Differentiation
      • Greuel, Vision for the ACB
      • Bostrom, Lady Bugs
      • Clifford, Small Things
      • Gentleman, 30/80 Anno Domini
    • Summer 2023 Issue >
      • Letter from Editors Summer 23
      • Touryan, Feathers
      • Stenerson, Horseshoe Crabs
      • Hull, Evolving Scotus
      • Silva, Younger Ages
      • Williams, Dense Obscurity
      • Bostrom, Water Cries
      • Clifford, To Church Repair
      • Craig, Heavenly Lights
      • Valerius, Nothing to Something
      • Pinkham, Wisedrop
    • Spring 2023 Issue >
      • Letter from Editors Spring 2023
      • Rummo Lewis and the Cross
      • Pagan Biodiversity
      • Funck Assembly Theory and Life
      • Williams Thus Far
      • Mitchell Making Mistakes
      • Phillippy Living in Paradox
      • Bostrom Rain Shadow
      • Clifford Sustainable Cooking
      • Budek-Schmeisser, Completion
    • Winter 2023 Issue >
      • Letter From the Editors
      • Braden, A Modern Bestiary
      • Garte, Assembly Theory
      • Defoe, The Heavens Declare
      • Greenberg, Bonding
      • Barrigar, God's Big Story
      • Phillippy, Overcoming Paradox
      • Bostrom, Near
      • Clifford, Hidden Figures
    • Fall 2022 Issue >
      • Letter Fall22
      • Curry, Attentiveness
      • Russo, Deconstruction
      • Touryan, Four Forces
      • Mittchell, Three Words
      • Philippy, Math Theology Fall 22
      • Bostrom, Goodbyes
      • Clifford FAll 22
      • Linsley, Mystic Exile
      • Hall, A Call to Arms
    • Summer 2022 Issue >
      • Letter Summer 2022
      • Engelking, Neurotheology
      • Kelley, Environmentalism
      • Garte, Sandpipers
      • Madison, Cultivating Contentment
      • Collins, Answers on Evolution
      • Touryan, Tentmakers
      • Oord, Ever-Creative God
      • Bostrom, Mentors
      • Clifford, Carbon and Sin
      • Campbell, Just, In Time
    • Spring 2022 Issue >
      • Letter from the Editors Spring 2022
      • Curry, Knowldege and Truth
      • Pinkham, On a Car Emblem
      • Murray, Candling the Egg
      • Carr, Music, Math, Religion
      • Smith, Wonder and Longing
      • Linsky, Cyber Service
      • Bostrom, Buteo
      • Obi, Coincidences
    • Winter 2022 Issue >
      • Garte &Albert Letter Winter 2022
      • Thuraisingham Pondering Invisible
      • Cornwell Mediations from Molecular Biologist
      • Fagunwa Blsck Scientist & Church Father
      • Garte A Dialogue
      • Gonzalez Being Human
      • Klein Naturalist in Two Worlds
      • Bostrom Creeds
      • Clifford Winter 2022
      • Ardern Contact Points
      • Cooper Imagine No Christmas
    • Fall 2021 Issue >
      • Garte &Albert Letter Fall2021
      • Johnson, God Winks
      • Cottraux, Ancient Aliens
      • Arveson, Anti-Vax Email
      • Gammon, Evolutionary Insights
      • Mitchell, No One Told Me
      • Rummo, Faith in the Invisible
      • Bostrom, Fall Furrows
      • Lemcio, A Franciscan Weekend
      • Funk, Plant Haiku
      • Robinson & Lim, Who is God?
    • Summer 2021 Issue >
      • Garte &Albert Letter Sum2021
      • Warren, Immunization and Salvation
      • Defoe, Bernard Ramm
      • Cornwell Canine to Divine
      • Mix, Running with Nature
      • Pinkham, Scuba Divers
      • Cao, Physics and Bible
      • Bostrom, Sugar Birds
      • Clifford Sum21
      • Oostema, Evolution of Faith
      • Hall, Generation upon Generation
    • Spring 2021 Issue >
      • Garte and Albert Letter Spring 2021
      • Loikanen, Divine Action
      • Madison, Humus and Humility
      • Lappin, Puddles and Persons
      • Cornwell, God's GPS
      • Touryan, Contolled Fusion
      • Russo, Vaccine and Salvation
      • Bostrom, Short-eared Owl
      • Redkoles, Expect Unexpected
      • Clifford, Boring
      • McFarland, Imposition of Carbon
      • Lemcio, Manis Mastodon
    • Winter 2021 Issue >
      • Winter 2021 Contents >
        • Garte and Albert Letter from the Editors
        • Burnett How iit All Started
        • Isaac Director's Corner
        • Ruppel Herrington, First Editor
        • Burnett Origin of Lire
        • Hearn Balance
        • Middleton Natural Theology
        • Story Antibodies and Randomness
        • Lamoureux I Sleep a Lot
        • Warren Overloaded Brains
        • Isaac Knowledge of Information
        • Bancewicz Wonder and Zebrafish
        • Oord Photoessay
        • Albert Hope in Winter
        • Clifford Storytelling & Drama in Teaching
        • Pohl The Column (Poetry)
    • Fall 2020 Issue >
      • Letter from Editors
      • Pohl, Panpsychism and Microbiome
      • Reyes, Communion During Loss
      • Griffin, Hands On
      • Azarvan, Science and Limits
      • Cornwell, Search Engines for God
      • Thuraisingham, Duality of Humans and Particles
      • Touryan, Prayers of Petition
      • George, Perfect Vision
      • Declare the Glory, Green: Awe
      • Bostrom Purpose
      • Oord, Theological Photoessay
      • Clifford, Food, Water, Waste
    • Summer 2020 Issue >
      • Summer 2020 Contents >
        • Editors Letter Summer2020
        • Jones, Science Faith Duopoly
        • Mix, God and the Virus
        • Warner, COVID-19 and Goodness of Creation
        • Gonzalez, Pandemic and Groaning of Creation
        • Johnson, Star Wars Food
        • Pyle, It Takes a (Medical ) Village
        • Arveson, Use for 3D Printers
        • Peterson, Pandemic and Research
        • Zeidan, Mentorship Online
        • Oleskeiwicz, Dragonfly on Water
        • Carr, COVID-19 and Climate Change
        • Nierrman, The Squirrel
        • Cornwell, COVIS-19 Bucket List
        • Bostrom, Grass Thoughts
        • Clifford, Summ20 Conflict
    • Spring 2020 Issue >
      • Letter from the Editors SP20
      • AD
      • Murphy, Nature and Calvary
      • Dickin, The Flood and Genesis 1
      • Gruenberg, Empiricism and Christian Spirituality
      • Ungureanu, Science, Religion, Protestant Tradition
      • Russo, How does it End?
      • Siegrist, Problems with Materialism
      • Ohlman, 20/20 in 2020
      • Warren, Rock Frogs
      • Edwards, Sanctuary
      • Bostrom, Clothed
      • Clifford, The Lent of Lockdown Spring 2020
      • Hall, 1:30 AM on a Tuesday (Poem)
    • Winter 2020 Issue >
      • Letter from the Editor Winter 2020
      • AD
      • Wimberly Inheritance, Meaning and Code
      • Defoe; A Pastor's Journey
      • Mix The Ends of the World
      • Pevarnik Limits of Physics
      • Greenberg "Godly" Science
      • Pinkham Teleological Thinking
      • Alexanian How to Witness
      • "Declare the Glory" Neal, Cross, Gait
      • Clifford "Across the Pond" Winter 2020
      • Oord "Theological Photoessays" Winter 2020
      • Salviander The Objective Man (Poem)
      • Ohlman Orphan of the Universe (Poem)
      • Lemcio Grey's Anatomy (Poem)
    • Fall 2019 Issue >
      • Letter from the Editor Fall 2019
      • Phillippy Mathematics and God
      • Pohl & Thoelen Databases
      • Garte Limits of Science
      • Mitroka Healthy Lifestyle
      • Sigmon Science and Revelation
      • Mariani Compatibility Creation and Evolution
      • Anders Theistic Evolution
      • Touryan Are we alone
      • Johnson Purpose and Source
      • Declare the Glory Curry, Smith, Best
      • Clifford "Across the Pond" Fall 19
      • Oord "Theological Photoessays Fall 19
      • Eyte Cross Cascade "Poem"
    • Summer 2019 Issue >
      • Letter from the Editor Summer 2019
      • Arveson Is There a “Theory of Everything”
      • Anderson The History and Philosophy of Science and Faith
      • Tolsma Science in Church
      • Salviander Black Holes and Atheism
      • Johnson Practical Problems for Literal Adam
      • Hall God and the Assumptions of Scientific Research
      • Linsky Overcoming Misconceptions
      • Wilder Sanctity of Creation
      • Clifford "Across the Pond" Summer19
      • Oord "Theological Photoessays" Summer 2019
      • Flaig Time and Me (Poem)
    • Spring 2019: Creation Care and Environment >
      • Letter from the Editor Spring 2019
      • Bancewicz;Sustainability Pledge: Why the Environment is My Problem
      • Lin; Environmental Problems as a Place for Compromise and Dialogue
      • Garvey; Where the Fall Really Lies
      • Lewis; Solar-Powered Life: Providing Food, Oxygen and Protection
      • Garte; Time and Human Impact on the Environment
      • Mays; Reforming Science Textbooks
      • Carr; Cosmic Energy First, Then Matter: A Spiritual Ethic
      • Kincanon; The Young Earthers and Leibniz
      • Declare the Glory Gauger
      • Clifford "Across the Pond" Spring 2019
      • Oord; Photoessay. Theological Photo Essays
      • Rivera; Photoessay. Digital Artwork: Images of Jesus
      • Albert; Poem. A Goldfish Sings a Tentative Psalm
      • Armstrong; Poem Holy Sonnet XI
    • Winter 2019: Education and Outreach 2 >
      • Letter from the Editor, Winter 2009
      • Applegate; Project Under Construction: Faith Integration Resource for High School Biology
      • LaBelle; Sidewalk Astronomy Evangelism - Taking it to the Streets!
      • Reed; Speaking to the Heart and Mind of Students about Evolution and Creation
      • Marcus; The Conflict Model
      • Rivera; The Implicit Assumptions behind Hitchen's Razor
      • Russo; Redeeming Bias in Discussion of Science and Faith
      • Fischer; Origins, Genesis and Adam
      • Clifford Column, Winter 2019
      • Gait; Photoessay - Stripes
      • Lee; Poem. In Chaos and Nothingness
    • Fall 2018: Education and Outreach 1 >
      • Letter from the Editor Fall 2018
      • Glaze; A Walk within Two Worlds: Faith, Science, and Evolution Advocacy
      • Johnson; Teaching the Controversy in Texas
      • Cootsona; Mere Christianity, Mainstream Science and Emerging Adults
      • Kindstedt; Creating a Third Culture
      • Zeidan; An Effective Way to Integrate Supportive Communication and Christian Belief into Virtual Classrooms
      • Marshall; A New Model of Causation
      • McClure; Nothing in the Bible Makes Sense Except in the Light of Grace
      • Frank; Christianity, Science and Teamwork
      • Assad/Reyes; Interview. Discovering a Renewed Sense of Awe and Wonder about God
      • Clifford Column Fall 2018
      • Menninga; Photoessay. What do These Stones Mean?
    • Summer 2018: Judgment and Peer Review >
      • Letter from the Editors Summer 2018
      • Jones; Peer Review: Avoiding Judgmentalism
      • Arnold; Discovering Spiritual Information Through Peer-Reviewed Science
      • Peterson; Peering at Double-Blind Peer Review
      • Smith; A Philosophical Influence from the Scientific Revolution on Scientific Judgment
      • Mix; The Poetry of Probability
      • Mobley; Randomness vs. the Providence of God?
      • Gordon; Chances are Good: Design and Chance in Genesis 1
      • Siegrist; But the Multiverse...!
      • Reyes; The Community Table: Interview with Marianne Johnson
      • Clifford Column Summer 2018
      • Hill; Poem. Synthesis
      • Lemcio; Poem. I Could See Where This was Going
      • Oord: Photoessay
    • Spring 2018: Chance & Design >
      • Letter from the Editors
      • Bishop; God, Love and Chance
      • Bonham; Quantum Reflections
      • Spaulding; God as Designer
      • Garte; Teleology in Evolution
      • Hall; God, Chance and Buridan's Ox
      • Pohl; Why We Need a Third Culture in Church
      • Dorman; Liturgical Brain
      • Warren; Galapagos
      • Blanchard; On Christian Science
      • Touryan; The Cross as a Cosmic Filter
    • Winter 2018: Race & Inheritance >
      • A Note from the Editors
      • Essay: “Some Pastoral Considerations of CRISPR CAS 9 Gene Editing” by Mario A Russo
      • Essay: “The Genetics and Theology of Race” by Sy Garte
      • Essay: "Grieve the Segregation of Science" by S. Joshua Swamidass
      • Poem: "Cardboard Man" by Ciara Reyes
      • Featured Interview: “Love Is Risk” with Carolyn Finney
      • Essay & Poem: “Abortion Languages: Love, fear, confusion and loss”
      • Essay: "Why the Church Needs Intersectional Feminism" by Emily Herrington
      • Essay: “Elected to Salvation (and other things?)” by Bill Leonard
      • Essay: “Local Colour: A reflection on family, history, and heritage” by Mike Clifford
      • Interview: Corina Newsome, environmentalist and animal keeper
      • Essay: “Spiritual Kin Selection” by Steve Roels
      • Photo Essay: "Trouble in Paradise: Plastic pollution in the Bahamas" by Grace Swing & Robert D Sluka
      • Essay: “Race & Inheritance: Personal reflections and annotations” by Walt Hearn
      • Interview: Carla Ramos, molecular biologist
      • Clifford Column; Discipine Hopping
      • Lemcio; Waves
      • Harris Artwork
      • Hearn; Eulogy - Beyond Science,
    • Summer 17: Cosmology & Theology >
      • Letter from the Editors: Summer 2017
      • Essay: "The News from My Home Galaxy" by Walt Hearn
      • Interview: "Deep Incarnation & the Cosmos: A Conversation with Niels Henrik Gregersen" by Ciara Reyes & Niels Henrik Gregersen
      • Photo Essay: "Breath & Dust" by Kathleen Eady
      • Essay: "Why the Eagle Nebula Just Doesn’t Do It For Me" by Mike Clifford
      • Essay: "The Cosmos in My Hand" by Lucas Mix
      • Interview: “What is Life? On Earth and Beyond” with Andreas Losch
      • Artwork by Missy Pellone
      • Essay: "When God & Science Hide Reality" by Davis Woodworth
      • Essay: "​In Search of Wonder: A Reflection on Reconciling Medieval and Modern Cosmology" by Monica Bennett
      • Essay: "If Christianity and Cosmology Are in Conflict, Whose Side Is Philosophy on?" by Vaughan Rees
    • Winter/Spring 17: "Flesh & Blood" >
      • Letter from the Editor: Winter/Spring 2017
      • Essay: "Probiotics, Prebiotics, Synbiotics: On microbiomes and the meaning of life" by John F. Pohl
      • Essay: "With All Your Mind" by Paul S. Kindsedt
      • Essay: "The Stuff of Life" by Mike Clifford
      • Essay: "Experiencing God’s Love in a Secular Society: A Christian experience with socialized medicine" by Alison Noble
      • Poem: "The Problem with Pain" by Eugne E. Lemcio
      • Essay: "Thoughts of Death in a Cruel World: Job’s suicidal ideation and the “right” Christian response to depression" by Jennifer Michael Hecht and Emily Herrington
      • Essay: "Tissues at Issue" by Walt Hearn
      • Essay: "The Dilemma of Modern Christianity" by Tony Mitchell
      • Poem: "Light" by Billie Holladay Skelley
      • Essay: "Some Theological Implications of Science: Revisiting the Ant" by Mario A. Russo
    • Summer/Fall 16: "Stewardship of Words" >
      • Letter from the Editor: Summer 2016
      • Levity: "Walt Being Walt: Excerpts from the ASA newsletter" by Walt Hearn (compiled by Jack Haas & Emily Ruppel)
      • Poem: "A Prayer Tribute to Walt and Ginny Hearn" by Paul Fayter
      • Essay: "Authentic Science & Authentic Christian Faith" by Paul Arveson
      • Essay: "On Modern-Day Saints & Epistles" by Emily Ruppel
      • Essay: "​Mathematics and the Religious Impulse" by Karl Giberson
      • Poem: "The Wasteful Gene" by Eugne E. Lemcio
      • Three Poems by Dan Eumurian
      • Excerpts from: "The Dictionary of Daily Life in Biblical and Post-Biblical Antiquity" by Edwin Yamauchi
      • Essay: "A Comprehensible Universe: The blessing from God that makes science possible" by Bob Kaita
      • Poem: "The Epistolarian" by Emily Ruppel
    • Spring 16: "Brain Science" >
      • Letter from the Editor: Spring 2016
      • Essay: "Ancient Q, Modern A (?)" by Walt Hearn
      • Essay: "Souls, Brains and People: Who or what are we?" by Gareth D. Jones
      • Essay: "A Functional Theology of Psychopathology" by Edgar Paul Herrington IV
      • Three Poems by Richard Gillum
      • Essay: "Thoughts of Death in an Unkind World: Job’s suicidal ideation and the “right” Christian response to depression" by Jennifer Michael Hecht
      • Short Story: "Malefic" by Jeffrey Allen Mays
      • Essay: "An Engineer Visits a Mindfulness Workshop" by Mike Clifford
      • Essay: "Traces of Trauma in the Body of Christ: The case of The Place of Refuge" by Elizabeth Hernandez
      • Essay: "Did God ‘Create’ Science? Christianity and the uniqueness of the human brain" by William H. Church
    • Winter 16: "Quantum Physics/Epigenetics" >
      • Letter from the Editor: Winter 2016
      • Essay: "God and the New Evolutionary Biology" by Sy Garte
      • Essay: "Quantum Mechanics and the Question of Divine Knowledge" by Stephen J. Robinson
      • Essay: "Creation Out of... Physics?" by Joshua Scott
      • Essay: "Of Books and Bosons" by Mike Clifford
      • Essay: "Words, Words, Words" by Walt Hearn
      • Poem: "Encountering Ernst Haeckel’s 'Ontogeny Recapitulates Phylogeny'" by Eugene Lemcio
      • Essay: "The Extended Evolutionary Synthesis: New conversations and theological questions at the horizons of modern science" by Michael Burdett
      • Poem: "The Difference" by Emily Ruppel
      • Essay: "Maupertuis's Ghost: Finding God in 'action'" by Colin C. Campbell
    • Fall 15: "Technology" >
      • Letter from the Editor: Fall 2015
      • Essay: "‘Braving the New World (Wide Web): Mapping Theological Response to Media" by Justin A. Bailey
      • Poem: "Entropy and Enthalpy" by Glenn R. McGlaughlin
      • Essay: "‘How Proactive Should Christians Be in Learning about Emerging Biomedical Technologies?" by D. Gareth Jones
      • Essay: "‘Can We Fix It? Erm..." by Mike Clifford
      • Poem: "To My Dear Parents" by Sarah Ruden
      • Essay: "‘Which Side, Lord?" by Walt Hearn
      • Poem: "The Column" by John F. Pohl
      • Essay: "‘Technology and the Church" by Derek Schuurman
      • Poem: "On the Shores of Oroumieh" by Emily Ruppel
      • Essay: "‘Technology as Discipline" by Johnny Wei-Bing Lin
    • Summer 15: "Doubt" >
      • Letter from the Editor: Summer 2015
      • Essay: "‘The Road Not Taken’: A personal reflection on careers, counterfactuals and callings" by Tim Middleton
      • Essay: "The Gift of Doubt in My Life" by Rev. Paul Herrington
      • Poem: "The Marsh Birds" by Sarah Ruden
      • Essay: "On St Brendan and the Pendulum of Postgraduate Study" by Mike Clifford
      • Essay: "Doubt: The Invisible Conversation" by Karl W. Giberson
      • Essay: "Doubt, Faith, and Crevasses on My Mind" by Peter M. J. Hess
      • Poem: "Magdalene" by Leonore Wilson
      • Essay: "Breaking Barriers, Ministering in Relationships, and Exemplifying the Gospel" by Stephen Contakes, et al.
      • Poem: "On the Extinction of Matter Near a Black Hole" by Ruth Hoppin
      • Essay: "Sometimes I Doubt..." by Walt Hearn
      • Essay: "The Risks of Love and Life's Big Questions" by Thomas Jay Oord
    • Spring 15: "Animals/Imago Dei" >
      • Letter from the Editor: Spring 2015
      • Essay: "50 Years of Wilderness: a Christian perspective" by Peter van der Burgt
      • Essay: "All Creatures Great and Small " by Walt Hearn
      • Essay: "Let There Be Less: A Christian musing on nature, faith, and farmers’ markets" by Emily Ruppel
      • Poem: "The New Plant and Animal Kingdoms" by Steve Roels
      • Essay: "Of Wonder and Zebrafish" by Ruth Bancewicz
      • Essay: "The Lion, the Spider and the Image of God" by Mike Clifford
      • Cat Poem 1: "Lullaby for Stomp the Cat" by Sarah Ruden
      • Cat Poem 2: "Letting the Dog In" by Emily Ruppel
      • Cat Poem 3: "Reading on the Couch" by Carol Ruppel
      • Essay: "Angry Discussions: A Wrong Way to Stand for Creation Care or Science Advocacy " by Oscar Gonzalez
      • Essay: "Ethical Eating on a Catholic Campus: Some thoughts from a student of environmental studies" by Grace Mican
    • Winter 15: "Information" >
      • Letter from the Editor: Winter 2015
      • Essay: "What Does it Mean to Know?" by Mark Shelhamer
      • Essay: "Knowledge of Information" by Randy Isaac
      • Photo Essay: "Being Here" by Carol Ruppel
      • Essay: "Truth Anyone?" by Walt Hearn
      • Poem: "Transformation" by Ruth Hoppin
      • Interview: "Unpacking Chance, Providence, and the Abraham's Dice Conference" by Olivia Peterson
      • Essay: "On Knowledge and Information–Tales from an English childhood" by Mike Clifford
      • Poem: "Space Travel" by Ruth Hoppin
      • Essay: "Resuming the Science/Faith Conversation" by Jamin Hubner
    • Archives >
      • Past Contributors
      • Fall 14: "History of Science & Christianity" >
        • Letter from the Editor: Fall 2014
        • Essay: "Orchids: Why the founders of modern science cultivated virtue" by Ruth Bancewicz
        • Essay: "Science Falsely So Called: Fundamentalism and Science" by Edward B. Davis
        • Essay: "The Other 'Atom' in Christianity and Science" by Karissa D Carlson
        • Poem: "The Hermit" by Ciara C. Reyes
        • Essay: "Players" by Walt Hearn
        • Essay: "Using Storytelling and Drama in Engineering Lectures" by Mike Clifford
        • Essay: "Is There Anything Historical About Adam and Eve?" by Mike Beidler
        • Essay: "Finding Harmony in Controversy: The early years of the ASA" by Terry Gray and Emily Ruppel
        • Levity: "Fish n' Chips" by Mike Arnold
        • Essay: "Stories" by Walt Hearn
      • Summer 14: "Christian Women in Science" >
        • Letter from the Editor: Summer 2014
        • Essay: "I Really Did That Work: A brief survey of notable Christian Women in Science" by Lynn Billman
        • Essay: "He + She = We" by Walt Hearn
        • Photo Essay: "The Faces of Nature" by Susan Limone
        • Essay: "On Grass that Withers: Overloaded brains and spiritual discernment" by Janet Warren
        • Interview: "Ancient Humans and Modern Choices" with Briana Pobiner
        • Essay: "Crystallographer, Quaker, Pacifist, & Trailblazing Woman of Science: Kathleen Lonsdale’s Christian Life 'Lived Experimentally'” by Kylie Miller and Stephen M. Contakes
        • Artwork: "Eden, Zion" by Harold Sikkema
        • Essay: "Asking the Right Question" by Dorothy Boorse
        • Interview: "Not So Dry Bones" with Mary Schweitzer
        • Essay: "Is Being a Mother and a Scientist Worth It?" by Abby Hodges
        • Essay: "Playing God: A theological reflection on medicine, divine action, and personhood" by Ann Pederson
        • Column: Great Gravity! "BNL 1976 – 2000 (Part 1)"
      • Spring 14: "G&N: The 2-year tour" >
        • Letter from the Editor: Spring 2014
        • Essay: "Political Science?" by Walt Hearn
        • Comic: "Education"
        • Essay: "Finding Hominids with Kamoya Kimeu" by Fred Heeren
        • Poem: "Ziggurat (and Helix)" by Amy Chai
        • Creative Nonfiction: "One Summer" by Dave Harrity
        • Essay: "Do the Heavens Declare the Glory of God?" by Owen Gingerich
        • Comic: "Miracle Mechanics" by Emily Ruppel
        • Essay: "I Sleep A Lot" by Denis O. Lamoureux
        • Poem: "Angels and RNA" by Walt Hearn
        • Comic: "Seminary"
        • Essay: "The Elegance of Antibodies" by Craig M. Story
        • Photo Essay: "Conversing with Nature" by Thomas Jay Oord
        • Essay: "Under the Tutelage of Trees: Arboreal Lessons on Virtue, Kinship, and Integrity" by Peter M. J. Hess
        • Comic: "Humor"
        • Essay: "Science and Scientism in Biology" by Sy Garte
        • Interview: "Biopsychology and Faith" with Heather Looy
      • Winter 14: "Health & Medicine" >
        • Letter from the Editor: Winter 2014
        • Poem: I Have a Piece of Cow in My Heart
        • Essay: Acts of God: Are all mutations random?
        • Column: Beyond Science
        • Poem: Psalm 1859
        • Essay: The Tao of Departing
        • Essay: The Tao of Departing p 2
        • Photo Essay: Walking in Winter
        • Essay: A Christian Doctor on Evolution, Faith, and Suffering
        • Opinion: Making Friends with Frankencorn
        • Poem: Chiaroscuro
        • Interview: "Biopsychology and Faith" with Heather Looy
        • Essay: "The Elegance of Antibodies"
        • Artwork: "Helix" by Harold Sikkema
        • Column: Great Gravity! "Dissertations and Revelations"
      • Fall 13: "Environmentalism" >
        • Letter from the Editor: Fall 2013
        • Poem: Time
        • Essay: Is there Hope for the Ocean?
        • Artwork: "Earthly Tent" by Harold Sikkema
        • Essay: What is Responsible Eating?
        • Essay: Are We Too Obsessed with Food?
        • Poem: Conversation on Creation
        • Essay: Creation Care from the Perspective of a Conservation Geneticist
        • Essay: Mobilizing Scientists for Environmental Missions
        • Poem: Paleocene Spring
        • Interview: Dorothy Boorse
        • Column: Beyond Science
        • Essay: New Testament Motivation for Environmental Stewardship
        • Poem: Stone of House
        • Column: Great Gravity! "Running the Data"
      • Summer 13: "Science & Creativity" >
        • Column: Beyond Science
        • Letter from the Editor: Summer 2013
        • Column: Faith on the Field
        • Poem: Trying Not to Be Too Sunny
        • Comic: "Work in Progress"
        • Essay: Do the Heavens Declare the Glory of God?
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Chances Are Good:
​Design and Chance in Genesis 1

by Daniel Gordon
“In the beginning God created the heavens and the earth” (Gen 1:1 ESV). 
 
Genesis 1:1-2:3 (hereafter “Genesis 1”) is a story of creation, written in “elevated prose.”[1] To what extent, if any, though, is it a story of design?[2]
 
This question is, for this essay, more conceptual than linguistic: the question is whether our concept of design appears in Genesis 1, not if the author used some Hebrew word for “design”—though this would not be irrelevant. Our first move, then, is to define the English word design. Here are some definitions from Merriam-Webster:

[Transitive verb] (1) to create, fashion, execute, or construct according to plan; (2)(a) to conceive and plan out in the mind; (2)(b) to have as a purpose; (2)(c) to devise for a specific function or end; (4)(a) to make a drawing, pattern, or sketch of.

[Noun] (1)(a) a particular purpose or intention held in view by an individual or group; (2) a mental project or scheme in which means to an end are laid down; (4) a preliminary sketch or outline showing the main features of something to be executed; (5)(a) an underlying scheme that governs functioning, developing, or unfolding; (6) the arrangement of elements or details in a product or work of art.[3]
"Rather than casting design and chance as contradictory concepts, the story itself presents them in harmony by God’s will, actions, and approbations." ​
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The core meaning of design appears to involve notions of plan, intention, scheme, purpose, and arrangement, both in the mind and in acts that bring an idea into physical form—acts that are representational (drawings, models, etc.) and actual (manufacture).
 
Space does not allow a thorough examination of ברא (br’), the Hebrew word “create.” Genesis 1 uses the word in the individual cases of humans and some animals (1:21, 27), and is equivalent to “make” (1:26-27). The author also uses the word in a broad, book-end way to refer to the totality of God’s actions in the story (1:1; 2:3), which would include God hovering (1:2), speaking (throughout), seeing (1:4, 10, 12, 18, 21, 25, 31), separating (1:4, 7), naming (1:5, 8, 10), making (1:7, 16, 21, 25, 26), setting (1:17), blessing (1:22, 28), and finishing (2:2).[4]
 
To ask Is Genesis 1 a story of design? is to ask whether the story gives readers the impression that plans, intentions, schemes, purposes, and/or arrangements are at work. It is to ask about mental and physical activity on the part of the agents involved.
 
A Story of Design?
 
Genesis 1 does not begin with God planning the world.[5] Depending on translation, however, the beginning of the story may sound like God is thoughtfully poised to act: “In the beginning when God created the heavens and the earth, the earth was a formless void and darkness covered the face of the deep, while a wind from God swept over the face of the waters” (1:1-2 NRSV).[6] Readers might wonder whether God is sweeping this wind (or spirit) and doing nothing else, or whether it is implied that God is planning.
 
Second, consider the sequence in which both existent and new features of the world are arranged. Darkness (1:2) is followed by light (1:3-5). The sky is made, and the existent waters (1:2) are separated above and below it (1:6-8). The lower waters congregate to one place, and dry land emerges (1:9-10) and makes plants (1:11-13). Lights are placed in the sky (1:14-19). The waters and sky are filled with animals (1:20-22). The land is filled with animals and humans (1:24-28). Finally, humans and land animals are given plants for food (1:29-30). Each movement from “formless void” (1:2) to formed fullness strikes the reader as orderly, regardless of whether the order is planned or improvised.
 
Third, consider the story’s attention to varieties of plants and animals, marked especially by the word  מין (myn, “kind” [10x—1:11, 12, 21, 24, 25]). Whether the varieties are planned or improvised—by God and/or the land and waters that make them (1:11-12, 20, 24)—the story frames the different forms not as threats to each other but as harmonious cohabitants of the same world. Everything fits. Everything belongs.
 
Fourth, consider God’s direct activity in fashioning the world: separating light and darkness (1:4); making the sky and separating waters (1:7); making lights (1:16), animals (1:21, 25), and humans (1:26-27); and speaking throughout the creating process, even when he is not the only one to perform actions in response.
 
Fifth, consider stated or implied purposes assigned to features of the world. The sky serves to separate waters (1:6). The “sky lights” serve to give light and to mark and govern time (1:14-15, 17-18). God’s command to animals and humans to “be fruitful and multiply” (1:22, 28) may articulate one (but not the only) purpose they serve. Humans are commanded to rule over the animals (1:26, 28); dominion is thus one purpose they serve. As for the plants, one purpose they serve is to feed humans and animals (1:29-30).
 
Finally, consider the divine approbations: God saw that “it was good” (7x).[7] Occurring as they do at regular intervals in the story, these approbations express the satisfaction God finds in the creations themselves, in their functions and purposes, and in the sequence and processes by which they come to be. As we have seen, the fulfilling of a foreplan may or may not be part of God’s satisfaction here. Even so, his satisfaction with what has actually occurred implies that the events satisfy his will, and this satisfying of his will may well constitute a form of design that is appropriate to the story being told.
 
A Story of Chance?
 
If Genesis 1 is a story of design, can it also be a story of chance? Merriam-Webster offers some of the following definitions of chance:
 
(1)(a) something that happens unpredictably without discernible human intention or observable cause; (1)(b) the assumed impersonal purposeless determiner of unaccountable happenings: luck; (1)(c) the fortuitous or incalculable element in existence: contingency; . . . (5)(a) risk.[8]
​

Does Genesis 1 include unpredictable happenings, indiscernible intentions, or unobservable causes? Does it include impersonal and purposeless determinations of occurrences (i.e., luck)? Are any occurrences fortuitous or incalculable? Does risk occur?
 
First, consider the creation of the seas and dry land. “And God said, ‘Let the waters under the sky be gathered together into one place, and let the dry land appear.’ And it was so” (1:9).[9] God does not gather the waters; he lets the waters be gathered. Nor does God make dry land appear; he lets it appear. This wording not only suggests the agency of the waters but leaves open the specifics of where and how the waters will be gathered.
 
Second, consider the creation of plants. “Then God said, ‘Let the earth put forth vegetation’… And it was so. The earth brought forth vegetation” (1:11-12). God does not make plants; the earth does. And, as we just saw with the waters, the wording leaves open the specifics of how, where, and in what forms the earth will make plants.
 
Third, consider plant reproduction: “plants yielding seed, and fruit trees of every kind on earth that bear fruit with the seed in it” (1:11). God lets plants make more plants, without stipulating how they do so or constraining the outcomes.
 
Fourth, consider the creation of animals. “And God said, ‘Let the waters bring forth swarms of living creatures’… So God created…” (1:20-21). Formulated differently than previous acts, here the agency of waters and God are held together: “Let the waters bring forth/So God created.” It seems that waters bringing forth and God creating refer to the same event. Insofar as the waters exercise free agency, the story leaves unspecified how, where, and in what forms the waters produce animals. The same double agency and open-endedness characterize the creation of land animals (1:24-25).
 
Fifth, consider animal reproduction. “Be fruitful and multiply and fill the waters in the seas, and let birds multiply on the earth” (1:22). The land animals may have a similar mandate, but the command on Day 6 focuses on humans (1:28). God’s command, “be fruitful and multiply,” implies that God leaves it to animals to make more of themselves, including the decisions, actions, and outcomes entailed in such freedoms.
 
Sixth, consider the agency of the luminaries. “God set [the lights]… to give light upon the earth, to rule over the day and over the night, and to separate the light from the darkness” (1:17-18). God’s task of separating light and darkness (1:4) he now hands over to the lights, which also assume the ruling of day and night and the governance of time. The themes of shared power, freedom, and open-endedness have now become familiar.
 
Seventh, consider the creation of humans. God makes humans himself (1:27), but his choice to identify his own image with them (1:26-27) entails taking a chance with his image and reputation—all the more so when coupled with God’s mandate to humans to rule over the animals (1:26, 28). If God allows humans freedom in fulfilling this mandate, then God seems to accept future outcomes that are not predetermined.
 
Finally, consider God finishing and resting (2:1-3). Readers sometimes quip, What did God do on the eighth day? The story ends without saying. Given the kind of world that God has (co‑) created, readers expect it to keep running. While this conclusion may give the story a deistic feel, the nature of God’s actions throughout the story might also lead readers to anticipate the kinds of ongoing involvement made explicit elsewhere (e.g., Ps 104). Regardless, statements that God finished and rested are reasons not for fear or despair but for joyous anticipation of what might come next.
 
Taking a Chance with Chance
 
Thus, Genesis 1 is both a story of design and of chance. Rather than casting design and chance as contradictory concepts, the story itself presents them in harmony by God’s will, actions, and approbations. In orderly fashion, God designs a highly organized world with varieties of interconnected and interdependent forms and functions, both living and nonliving. God’s design unfolds precisely alongside of, and in cooperation with, creatures who exercise agency without overly deterministic constraints from God.
 
Since Genesis 1 presents God designing a world in which chance is intrinsic, readers can see science in this light: both the law-like and the chance occurrences in nature are consonant with the sacred story. Indeed, how Christians respond to the concept of chance in science may depend in large part on how they contextualize the concept theologically. Is chance itself an occurrence outside of God’s sovereignty—or even evidence that God is not active or does not exist? If one’s theology excludes the possibility of chance, then claims of chance are likely to meet fierce resistance.
 
If, however, chance is precisely a feature of God’s design, then God’s existence, activity, and sovereignty are hardly threatened by occurrences of chance in the natural world. In the case of Genesis 1, whether or not it is scientific claims that push us to revisit the story, if we read it carefully, we will see that design and chance have been in the story all along. Leaving aside the issue of whether readers should have anticipated discoveries of chance by science, let us content ourselves to move forward with a view of God, Scripture, and science in which chance is at home.
 
So take a chance with chance. God did. And, as Genesis 1 frames them, chances are good.


[1] Gordon J. Wenham, Genesis 1-15, Word Biblical Commentary 1 (Nashville: Thomas Nelson, 1987), 10.

[2] I owe much of my thinking here to William P. Brown, especially from chapter 2 of his book The Ethos of the Cosmos: The Genesis of Moral Imagination in the Bible (Grand Rapids, MI: Eerdmans, 1999).

[3] “Design,” Merriam-Webster, https://www.merriam-webster.com/dictionary/design, accessed March 30, 2018.

[4] And resting (2:2-3)?

[5] For intimations of God’s pre-creation thinking, see, for example, Proverbs 8:22-31.

[6] Emphasis added. The NRSV will be used from here on.

[7] “Very” good in 1:31.

[8] “Chance,” Merriam-Webster, https://www.merriam-webster.com/dictionary/chance, accessed March 23, 2018.

[9] Emphasis added.

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Daniel Gordon is a son, brother, husband, and father. He earned a B.A. in Bible and an M.Div., spent 10 1/2 years in ministry, and has been an adjunct professor of undergraduate Bible at Lipscomb University (Nashville) since 2014. In 2016, he earned a D.Min. in Science and Theology from Pittsburgh Theological Seminary. He has been published in Pittsburgh Theological Journal and 
​Theology and Science journal, writes a blog on which he explores faith and science (http://danielgordonblog.com), and is presently transitioning into a full-time role in faith and science at Lipscomb.

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God & Nature magazine is a publication of the American Scientific Affiliation, an international network of Christians in science: www.asa3.org